2014-2018 • PhD and Master’s degree in composition at Harvard University (USA) with Chaya Czernowin
2010-2012 • Master’s degree at the Conservatoire National Supérieur de Paris (CNSMDP), in the class of Frédéric Durieux
2010-2011 • IRCAM – Cursus 1
2006-2010 • Bachelors at the Conservatoire of Milan (Italy), in the class of Alessandro Solbiati
2009-2012 • Workshops: Summer Composition Residency at Harvard University (with Chaya Czernowin, Steven Takasugi and Hans Tutschku) § Royaumont Voix Nouvelles (with Brian Ferneyhough, Mark Andre and Héctor Parra) § International Academy of Moscow Contemporary Music Ensemble (with Franck Bedrossian and Pierluigi Billone).


2019 • Resident Fellow for one year at Villa Médicis (Académie de France à Rome) — from September 2018 to August 2019
Stipendium SWR Experimental Studio Freiburg
Una Vita nella Musica – Giovani

2018 • Ernst von Siemens Composers’ Prize
Prix Francis et Mica Salabert, SACEM

2016 • Bestenliste 2/2016 der deutschen Schallplattenkritik for the CD A Failed Entertainment
2015 • Musica Femina München Kompositionspreis
2014 • Stipendium Stiftung Künstlerdorf Schöppingen for six months
2nd Prize at the 59. Kompositionspreis Stadt Stuttgart
Berlin-Rheinsberger Kompositionspreis
Guest composer at the Takefu International Music Festival
Guest for one month at the Institut Culturel Italien de Paris

2013 • Guest for one year of the Berliner Künstler-Programm des DAAD
Finalist of Gaudeamus prize
2012 • Nominated ‘Boursière Fondation Berger-Levrault’ of the International Center Nadia and Lili Boulanger
2011 • Movin’Up, Ministero per i Beni e le attività Culturali e il Gai
AFAM – Divertimento Ensemble composition competition
2010 • Prize winner at the International Composer Pyramid
1st prize at the International Composition Competition of the Conservatoire of Milan
1st prize at the GAI composition competition of Milan


2017 • [Il colore dell’ombra] Passage. Longleash. New Focus Recordings, fcr180, compact disc.
2016 • [dead wasps in the jam-jar (i)For Ko. Yuki Numata Resnick. Edition Innova Recordings, Innova 951, compact disc.
2016 • [Portrait CD] Iannotta, Clara. A Failed Entertainment. Ensemble Intercontemporain, Matthias Pintscher, Ensemble Recherche, Talea Ensemble, Orchestre des Èlèves du Conservatoire National Supérieur de Paris, Tito Ceccherini, Quatuor Diotima, Ensemble Garage, Richard Haynes, Trio Catch. Edition Robert Zank, RZ 10023, 2015, compact disc.
2015 • [The people here go mad. They blame the wind.] Wittener Tage für neue Kammermusik 2014. Trio Catch. Kulturforum Witten, WDR3, compact disc


2019 • Eclipse Plumage, commissioned by Daniel Walden (USA, The Netherlands)
2018–19 • MOULT, commissioned by Westdeutschen Rundfunk and Wien Modern (Germany, Austria)
2018 • Outer Space, commissioned by Darmstadt Summer Course, supported by the Ulysses Network, co-funded by the creative Europe Programm of the European Union (Germany)
2017–18 • skull ark, upturned with no mast, coproduction Münchener Biennal & Musik der Jahrhunderte Stuttgart, in cooperation with the München, the Berliner Künstlerprogramm des DAAD and the Elektronisches Studio der TU Berlin, supported by Kulturstiftung des Bundes (Germany)
2017 • dead wasps in the jam-jar (iii), commissioned by Festival d’Automne à Paris, supported by Ernst von Siemens Foundation and Proquartet Association
2017 • smudged — a carbon copy (ii), commissioned by Duo 2KW, supported by the Ernst von Siemens Foundation (Germany)
2016–17 • smudged — a carbon copy, commissioned by Musik der Jahrhunderte Stuttgart (Germany)
2016 • dead wasps in the jam-jar (ii), commissioned by Musica Femina München (Germany)
2015–17 • paw-marks in wet cement, for Wihlem Latchoumia and EOC, supported by Aide à l’écriture d’une oeuvre musicale originale de l’État Français (France)
2015 • sotto voce stuff, commissioned by Accentus (France)
2015 • Troglodyte Angels Clank By, commissioned by Radio France (France)
2015 • dead wasps in the jam-jar (i), commissioned by Yuki Namata Resnick, supported by the University at Buffalo (USA)
2014 • Intent on Resurrection – Spring or Some Such Thing, commissioned by Festival d’Automne à Paris & Ensemble Intercontemporain (France)
2014 • The people here go mad. They blame the wind., commissioned by Westdeutschen Rundfunk (Germany)
2013 • 3 sur 5, commissioned by Radio France (France)

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