In September, we were invited at the festival Transart, in Bozen (Italy), to perform the new version of skull ark, upturned with no mast, an interdisciplinary piece written in collaboration with architect Anna Kubelik and light designer Eva G. Alonso.
We are preparing more documentation on the work, but if you’re curious to see what it looks like, here is a short video made by Max Valenti (Transart).
This year I was lucky enough to have two dear pieces of mine performed at Wien Modern — MOULT, performed by the RSO conducted by Marin Alsop, and dead wasps in the jam-jar (iii), performed by Arditti Quartet.
It has been a really inspiring week, meeting and talking with fellow composers and musicians, and walking around Vienna!
As part of Wien Modern, I was also asked to join a panel about gender equality, and what we can do to make our new music community more inclusive. I wrote a short (quite personal) statement, which you can read here.
Since 2018, I started to collaborate with Eva G. Alonso, an incredible light designer and visual artist.
The first collaborative installation, Untitled #1, was created for the Vernissage of the exhibition Le vent se lève, and realized at the Villa Médicis on May 23, 2019. All sounds are created by an e-bow circuit machine built in collaboration with Jan Bernstein and Mickey van Olst. No electronics, no amplification, what you hear is simply the vibration of the piano strings. All lights are generative.
We are developing the project further for a solo performance for Daniel Walden that will be realized in 2020.
You can now listen to the live recording of Eclipse Plumage, performed by Ensemble Oerknal on September 2019 at the Gaudeamus Festival.
It’s my first piece using the Antimachine, an instrument created in collaboration with Jan Bernstein and Mickey van Olst, that generates magnetic fields around the strings of the piano — in the last 5′ minutes of the piece you can really listen to the machine, as there’s no electronics, just piano and a few percussion instruments.
Huge thanks to Daniel Walden, Chris Swithinbank, and the Gaudeamus team.
Such an honor, to be awarded the prize Una Vita nella Musica – Giovani 2019.
I left Italy more than 10 years ago, my music is mostly played elsewhere, my Italian is not great anymore (am still fluent in Roman though), but receiving such a recognition in my own country feels really good.
Thank you so much, Teatro La Fenice!
You can now listen to the live recording of dead wasps in the jam-jar (iii) performed by Quatuor Diotima on November 2018 at the festival November Music, in The Netherlands. Please, use headphones or good loudspeakers.
You can now listen to the live recording of the première of Outer Space, performed by Ensemble NIKEL, on July 20th 2018 at the Centralstation, as part of the Darmstadt Summer Course. Please, use headphones or good loudspeakers, and play it loud!
From September 2018 until August 2019 I will be living in Rome as resident fellow at Villa Médicis.
I left Italy 12 years ago, and being able to be back here as composer in residence makes me extremely happy. I am looking forward to discovering a city that I don’t know anymore, meeting my colleagues at the Villa, and working on my very first orchestra piece, and my third string quartet!